SOMERVILLE SONGWRITER SERIES INTERVIEW
You’ve just left Colorado and begun your first year at Berklee School of Music in Boston; how is that going so far? What have been the most interesting or useful things you’ve learned there at this early stage?
Berklee has been amazing so far!! It is incredible to be breathing, eating, and sleeping (or not sleeping in most cases) music. The complete immersion plus being surrounding by so many brilliant and lovely peers and professors creates an environment for learning and creativity like no other. I am SO happy and my understanding of music, and thus ideas for music I want to create, has grown visibly.
For awhile you were best known as an instrumentalist, garnering all sorts of attention for – especially – your mandolin playing. What led you to decide to focus on songwriting? Has your background as an instrumentalist influenced the way you approach songwriting or performing?
Songwriting for me is a necessary thing, like we need water. It deeply influences the way I process and walk through the world. Being a classically trained instrumentalist absolutely influences how I approach songwriting, especially my experience with classical music - I try to think of the music as helping to tell the story of the song just as much as the lyrics, and I have a wide variety of tools available, from classical techniques to my experiences as a bluegrass mandolinist so I try to seek out the most effective way to tell the story and not be limited by what I know how to do.
You’ve turned a lot of your songwriting attention to writing about important social issues. How do you approach writing a song with a social message?
I think there are essentially two types of social justice songs in existence, the first being those that try to not be too controversial, to get everyone to listen. The issues that I have with those songs is that truth often gets traded out for trying not to be preachy or too controversial. For example, I’m trans and simply writing about my experience in a way that doesn’t sugar coat it and worry about cis people’s feelings will make people stop listening. I should be able to be honest about my experience.
The second type is those that are intensely raw and honest, and those are the songs that I want to write. One can speak the truth without being preachy, I think that the danger is when telling someone not to be preachy becomes a way to silence the full truth of that person’s experience, because yes, for some of us it is radical and controversial to exist. Preachy can be what people call you when they don’t want to hear your truth. Yes, these songs are hard for people to hear, and they cause controversy, but they are TRUE, and for some people they are saving their life, making them feel seen for the first time. Change never comes easily.
B will be playing on Saturday, December 1st, 7:30 p.m., in the Somerville Songwriter Sessions, along with Jude Roberts and host Beth DeSombre, at the Somerville Songwriter Sessions at the Somerville Armory Cafe, 191 Highland Ave, Somerville MA. (Great music, great food, free parking.) The show will be preceded by a 30-minute open mike: contact firstname.lastname@example.org to reserve a slot.
Michael Bialis - Huffington Post
watch the video:
Who's That Girl Playing Mandolin Onstage With Amos Lee?
Posted: 08/23/2012 6:40 pm
Making his third visit to the Rocky Mountain Folks Festival, Amos Lee was on his way to another workman-like performance as the closing act on a fun-filled Saturday. The Philly steak, rattle and soul brother already had the sold-out crowd on his side, and everyone would have gone home thoroughly entertained, satisfied and, quite possibly, even inspired.
Then Lee introduced Bella Betts to the stage, and in that instant the lives of everyone in attendance changed for the better. Her 11-minute spontaneous appearance with Lee on August 18 wasn't just the feel-good moment of the festival, which until then often lacked the spirit of collaborative camaraderie among other bands that makes the Telluride Bluegrass Festival so fascinating.
A former schoolteacher who's seemingly just a mellow guy with jam-band tendencies (Lee played in the artists' tent after his set until 4 a.m.) teaming up with a spunky little girl who loves animals and raises chickens became a shining example of how music, especially live music, has the powerful ability to restore your faith in mankind if there were ever any doubts.
At the recommendation of Planet Bluegrass co-founder and vice president Steve Szymanski, who also runs the RockyGrass Academy held in conjunction with the more traditional bluegrass festival in Lyons every July, Bella attended the Song School last week as its youngest student.
Now a veteran artist as accomplished as the 35-year-old Lee doesn't just share the stage with anybody, no matter how sweet and precocious they may appear to be.
A mutual friendship with Tomago Collins involving Lee and Bella's parents -- Mona Esposito and Richard Betts (a master sommelier not to be confused with the Allman Brothers guitarist) -- helped bring the two musicians together earlier that day.
After seeing some YouTube videos of Bella performing, Lee invited her to jam with his band during rehearsal. When she took a few solo runs through Steve Earle's "The Mountain," Lee decided Bella had the musical chops that led to the all-that-is-good-about-music performance about 40 minutes into his set.
"We've got a friend of ours who's here tonight," Lee said in a soothing voice that any DJ would deal with the devil to acquire. "We were hanging out earlier today, chillin', listening to some crazy music. I want to invite my friend Bella to the stage. ... Give her some love, ya'll, c'mon."
The two played side by side as Lee discreetly directed Bella through "Bottom of the Barrel" from his 2005 debut album, then a version of "The Mountain" they learned from Levon Helm's recording of the Earle tune that appears on Dirt Farmer.
"Bella's following me, so if she makes a mistake, it's my fault, 'cause I don't know these songs that well," Lee said with a chuckle after their first collaboration. He proved that by adding, "This is a song called -- what's it called? -- it's 'Mountain,' right? ... I never know the title. 'The Mountain' is an incredible song."
With that, some of the loudest cheers of the night came as Bella hit all the right mandolin notes on her solo turns, smiling throughout while looking remarkably poised for a tween playing before the biggest audience of a career that's just blooming. Lee's calming influence was touching and endearing, and they happily shared fist bumps and a hug before Bella took her front-row seat alongside mom, then returned to take a final bow with the band at the end of the show.
"I get very nervous when I sit in with someone and not at all nervous about the music," Bella wrote days later in an email sent by her mother. "I sat backstage waiting to be called up and tried not to think about everything that could go wrong that has nothing to do with the music and failed. With lots of encouragement from friends and my mom, I waited out the waiting part and had fun from the moment I started playing on stage. Amos was super encouraging and hopes to have me play with them again. I hope so, too!"
You might be tempted to think: "Kids, don't try this at home," and you'd probably be right -- unless they are potential child prodigies.
While still a youngster (who turns 12 on September 13), Bella already is a seasoned performer. Homeschooled by Esposito (who plays the piano, began taking guitar lessons with her then-5-year-old daughter, then recently started pounding the drums), Bella picked up the mandolin and fiddle four years ago. The family moved to Boulder from Bella's hometown of Aspen in summer 2008, and soon afterward she attended the RockyGrass Academy, returning every year since then.
She first played on the main stage between RockyGrass sets at age 9, has performed with Langhorne Slim at the Fox Theatre in Boulder and the Bluebird Theater in Denver and joined Chris Thile for a song at the Steaming Bean coffeehouse in Telluride.
"Her bluegrass chops are impressive, but lately she has been focusing on her singing and songwriting," said Szymanski, who will be involved in the making of Bella's first album this fall. "I'm encouraging her to write as much as possible for her recording (successfully funded through a Kickstarter campaign) so we have original material to work with. ... And I must say she's remarkably focused and mature and we have had a fun time working together so far."
The Song School was a five-day sold-out session this year that included songwriting instructors such as Mary Gauthier and 2012 festival performers Holly Near, Gretchen Peters, Peter Himmelman, Darrell Scott and Richard Shindell. Attending "was the best thing I have ever done," said Bella of the flexible, elective-based program on the 15-acre Planet Bluegrass Ranch that's open to all ages and skill levels.
Her mother should know.
"The Song School was a real culmination for her," said Esposito, who performs regularly with her daughter at an assisted living center in Boulder and backs her up during occasional mall appearances. "She has been writing her own songs and with the combination of the instrumental work she has been doing and the amazing people at Song School supporting her songwriting, things really came together. I have to say that what happens at Planet Bluegrass is really magical -- it's an amazing community that comes together there."
No wonder that, while Lee was tuning up a few minutes after his special guest departed, a voice in the crowd shouted, "More Bella!"
"Yeah, right, exactly," laughed Lee, whose good-natured rapport with the audience was another nice touch on a picture-perfect day when the foursome from Girlyman and Kasey Chambers and a trio that included her father Bill were just as entertaining.
"I'm sure you'll be seeing plenty of her," Lee said of his new playing partner, even if it was for only 11 precious minutes. "She's going to be owning this stage. She can probably own it now."
7 JUNE 2013
Bella-issimo: 12-year-old Boulder girl already making beautiful music
Quentin Young - Boulder Daily Camera
By Quentin Young Longmont Times-Call
Posted: 06/06/2013 12:57:30 PM MDT
Updated: 06/07/2013 12:55:49 PM MDT
Bella Betts' ability to write songs, sing and play the mandolin and guitar has her musical career blossoming. Bella Betts was on vacation in Italy about a year ago when she got an idea.
"She was like, 'Steve, do you want to busk on the streets of Rome?' " said Steve Szymanski, vice president of Planet Bluegrass in Lyons. Betts, who is 12, and her family were traveling with Szymanski's family. They had all become friends through Betts' participation in music instruction at Planet Bluegrass.
Szymanski, a guitarist who accompanies Betts, was skeptical of giving an impromptu street performance, but Betts proved persuasive. Szymanski is glad she did.
"It ended up being a really magical 20 minutes," he said.
Betts has a way of making musical magic happen.
The Boulder resident might be half the age of most of her musical peers, but she's collecting the kind of career accomplishments that would make a seasoned player proud. A mandolin player with a style rooted in bluegrass, she has shared the stage with such luminaries as Chris Thile, Amos Lee and Langhorne Slim, has an album to her credit, gets invited to play festivals and has developed a pro-level on-stage poise.
"Honestly, we clicked musically right away," said Szymanski, who first came across Betts when she was a student at RockyGrass Academy, a week of bluegrass instruction that occurs every year before the Planet's RockyGrass festival. "Here's this 11-year-old I feel is my equal."
The Daily Camera staff got a taste of Betts' maturity, both in her music and temperament, when she gave a performance recently at Second Story Garage, a music video series taped in the Camera newsroom and produced by the Camera, Longmont Times-Call and Colorado Daily. (Check out her appearance atsecondstorygarage.com.)
While in the Garage, she played three of her own compositions, which were satisfying vehicles for her instrumental chops, her delicate voice and her vision as a songwriter.
Betts' musical education began in her home, where her parents, Mona Esposito and Richard Betts, exposed her to lots of music, she said. The first artist she remembers knowing by name was Pete Seeger. Her first instrument was piano, which she said her mother encouraged her to learn, but she was inspired by "The Sound of Music" to play guitar. Betts got her first one when she was 5.
At the time, her family lived in Aspen, where she began taking lessons from respected teacher Sandy Munro, who referred her to RockyGrass Academy. It was during the Academy that Betts discovered a love for the mandolin. She also plays fiddle and knows her way around bass and Dobro guitar, and she is developing a talent for songwriting. The first song she wrote, "Don't Worry Girls," was about the chickens her family raised, but she believes she has outgrown such early efforts. Her first album, "Lights Around a Curve," is evidence of a thoughtful songwriter finding her voice.
When Betts performed at Second Story Garage, she left the studio for a moment just before the session began. When she returned, she asked for something to write with. A song idea had suddenly occurred to her, and she was eager to get it down on paper.
Betts, who is homeschooled and an only child, evinces a maturity in both her music and her everyday manner. During an interview, her answers to questions were constructed like written sentences. But they were not rote responses, just rigorously constructed on the spot.
She said she's "very competitive," and when she comes across other young players whom she deems better than she is, Betts analyzes their technique to pinpoint what she might pick up from them.
In addition to public performances -- the next on her schedule is a Fourth of July concert at the Gold Hill Inn -- she keeps a busy practice regimen.
"I basically practice whenever I'm not forced to do homework," she said. "I'd practice all day if I could."
She takes lessons from Grammy-nominated bluegrass musician Michael Daves and other accomplished artists.
Szymanski produced "Lights Around a Curve," and he recorded it at his home studio. The album was mastered in Boulder by Grammy winner David Glasser. The experience of making the recording marked a turning point in Betts' dedication to music, Esposito said.
"The album really pushed things to a different level," she said.
Now, Betts believes music is her calling.
"I think that everyone has a magic," she said. "And I think I'm lucky to be tapped into mine."
Quentin Young can be reached at 303-684-5319 or email@example.com.
Quentin Young - Second Story Garage